"As a reference, he looked to Catherine Deneuve’s vampire turn in 1983’s “The Hunger,” “the nasty Deneuve, not just the nice one,” the designer said before the show. The inspiration gave the clothes a distinct, sometimes too literal Eighties vibe. Sharp shoulders topped strong tailored pieces; bold asymmetric color blocks in blue and brown or leopard patterns weren’t always flattering, and surface tweaks and folds showed off the designer’s signature origami skills. Throughout, it was evident that Mouret pushed himself to evolve from his skin-tight, waist-centric silhouette with clothes that moved along the body less severely than usual." - wwd.com
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