"Though Kate Spade New York
chief creative officer Deborah Lloyd stated that she was “feeling the
color red” this morning at the Fall 2017 presentation, a show goer
couldn’t fail to notice that detail for themselves. The setting was the
second floor of the opulent, red lacquered Russian Tea Room. The bold
atmosphere circled back to the devil-may-care attitudes of women in
Paris during the 1920s. Of the three women Lloyd cited, including iconic
flapper Louise Brooks and entertainer Josephine Baker, perhaps the key
one was the red-hatted subject of the painting Le Coquelicot by artist Kees Van Dongen. Lloyd imagined the
unknown character to be a Russian émigré who took her motherland pieces
with her to Paris. Focusing on that Eastern European flair, Kate Spade signature florals were done in Slavic style, à la Russian Khokhloma,
and were prettily embroidered down a red cape and along the edges of a
black coat, or delicately dotted a high-collared lace dress. Lloyd has
been using more folk references in her recent collections. Applying these far-flung, often bohemian-associated motifs is
refreshingly shaking up the prim uptown reputation of the Kate Spade
brand." - vogue.com
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