"It’s not the first time that creasing-as-decoration has seen the light of day—Martin Margiela, Miuccia Prada, and more recently Alessandro Michele at Gucci
have all tried their hand at creating the notion that their clothes
have had a life before they’ve made it onto the runway. This has to be
one of the first times it has been explored at couture level, though,
and it was a more human-scaled counterpoint to Valli’s general modus
operandi when he’s working on these collections, where he’s a firm
believer in making big, as in really, really big, gestures. For the most part, though, it was ball gowns galore for Spring. Some
were constructed out of countless yards of tulle and mousseline, a Valli
standard, while others were traced in graphic formations with crystals,
so they conspired to somehow look both extravagant and minimalistic at
the same time. If one can talk about trends at couture, then it’s this:
The Ball Gown Is Back. How this rates in a world where so many women are
currently engaged with activism and empowerment, who can say? But after
all, this is the haute couture, so why not go all out? No one came here
looking for a hoodie, after all." - vogue.com
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